In the film “The Beaver”, the character played by Mel Gibson suffers from depression. He latches on to a tattered puppet in the shape of a beaver and communicates exclusively through it. The Beaver is everything its ostensible master isn’t: daring, creative, exuberant, omnipotent, and omniscient, gregarious, resourceful, charismatic, and charming; a good father, good CEO, and good company all around. In short: The Beaver is the reification of the protagonist’s False Self.
When his wife (Jodi Foster) confronts him, having exposed his confabulations and the need to let go of the contraption, The Beaver rages at her and asserts its superiority, invincibility, and brilliance. The depressive Walter – the True Self - is derided by The Beaver as a dysfunctional wreck, utterly dependent on the former’s ministrations and the interference it runs on his behalf. The film ends unrealistically with Walter mutilating his body – literally - in order to rid himself of the domineering and all-pervasive appendage. “Unrealistically” because narcissists never succeed in resuscitating their dilapidated and crushed True Self. The narcissist IS his False Self: in real life, Walter should have been devoured and consumed by The Beaver – but then we would not have had a typical, syrupy Happy Ending, now, would we?
Both the True Self and the False Self depend on the gaze of others. The False Self relies on adulation and attention – narcissistic supply – for the maintenance of the precarious, confabulated, fantastic, grandiose, and counterfactual narrative that is the narcissist’s persona, his public face. Without a constant flow of such high-quality input and feedback, without the adulating gaze, the narcissist crumbles like a house of ephemeral cards and resorts to a variety of dysfunctional, self-destructive, and self-defeating behaviors and defense mechanisms.
Similarly and equally, the True Self needs a loving gaze to sustain itself. Another person’s love serves two purposes: it confirms the existence of the True Self as a lovable object and thus lays the groundwork and facilitates the necessary and sufficient conditions for self-love; and it allows the True Self to perceive the existence of a “safe”, loving, and holding other. Such insight is at the very foundation of empathy.
Do the False and True Selves ever fight it out, David vs. Goliath, Good vs. Evil, The Beaver vs. Walter?
Alas, they never do. The False Self is concocted by the narcissist to fend off hurt. It is a perfect, impenetrable, impermeable shield, a cocoon; it rewards the narcissist by flooding him with warm, fuzzy, exhilarating feelings; and it sustains the narcissist’s delusions and fantasies. The False Self is the narcissist’s dreams come true. In other words: as far as the narcissist is concerned, the False Self is adaptive and functional. The narcissist is emotionally invested in the False Self and he despises the True Self for having failed to cope with the exigencies and vicissitudes of the narcissist’s life.
Sam Vaknin ( http://samvak.tripod.com ) is the author of Malignant Self-Love: Narcissism Revisited and After the Rain - How the West Lost the East, as well as many other books and ebooks about topics in psychology, relationships, philosophy, economics, and international affairs.
He is the Editor-in-Chief of Global Politician and served as a columnist for Central Europe Review, PopMatters, eBookWeb , and Bellaonline, and as a United Press International (UPI) Senior Business Correspondent. He was the editor of mental health and Central East Europe categories in The Open Directory and Suite101.
Visit Sam's Web site at http://www.narcissistic-abuse.com